SPARROW GIRL by Sara Pennypacker

BIBLIOGRAPHY

Pennypacker, Sara, and Yoko Tanaka. SPARROW GIRL. New York: Disney/Hyperion, 2009. Print. ISBN 9781423111870.



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Booktalk Source:
"SPARROW GIRL by Sara Pennypacker." BookTalk. Mackin Educational Resources. Web. 10 Sept. 2010.

CABINET OF WONDERS by Marie Rutkoski

BIBLIOGRAPHY

Rutkoski, Marie. THE CABINET OF WONDERS (THE KRONOS CHRONICLES, BOOK 1). New York: Farrar, Straus and Giroux, 2008. Print. ISBN 9780374310264.


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Booktalk Source:
"THE CABINET OF WONDERS (THE KRONOS CHRONICLES, BOOK 1) by Marie Rutkoski." BookTalk. Mackin Educational Resources. Web. 11 Sept. 2010. .

ON THE JELLICOE ROAD by Melina Marchetta



BIBLIOGRAPHY

Marchetta, Melina. 2006. ON THE JELLICOE ROAD. Narrated by Rebecca Macauley. Audiobook Download. Audible.com.Victoria, Australia: Bolinda Publishing Pty Ltd. ISBN 9781742011097.

PLOT SUMMARY

Seventeen-year-old Taylor Markham has lived on the Jellicoe Road since she was abandoned by her mother at a 7-Eleven. Mistrustful of all relationships, her faith in Hannah, the one adult Taylor feels closest to, is tested when Hannah unexpectedly leaves town. Taylor is not only leader of her boarding school house, but also the Jellicoe School faction in the annual territory wars against the Townies and the Cadets.

The book is not just Taylor’s story; it is also about five friends – Webb, Narnie, Tate, Fitz and Jude – whose story begins with a fatal car crash twenty-two years before Taylor is made head of Lachlan House. As Taylor tries to find out what happened to Hannah while managing the territory war negotiations, she pursues the trail of clues that will lead her to answers about who her mother is and why she left Taylor on the Jellicoe Road.

CRITICAL ANALYSIS

Taylor’s complicated story line is made even more difficult to follow by the tale of Webb, Narnie, Tate, Fitz and Jude that is periodically inserted as out of sequence pages from a manuscript written by Hannah. The story may be hard to follow, but readers who stick with it will learn all the secrets of Taylor’s past and why Hannah’s manuscript is important.

Although set in Australia, all young adult readers will be able to relate to Taylor’s insecure inner self that is masked by a tough, seemingly uncaring exterior. “It’s the power Raffaela has always had and maybe that’s why I’ve spent most of my life pushing her away. Because being so dependent on people scares me.” In fact, all the characters in the book, to some extent, seem to be looking for a sense of place and belonging.

Marchetta weaves a contemporary realistic tale of love, loss, grief, secrets, truth, friendship and acceptance. It is a story of finding home, “Where they would all belong or long to be. A place on the Jellicoe Road.” This 2009 Michael L. Printz Award winner for excellence in Young Adult literature is a recommended read.

The MP3 unabridged audiobook version of this story was difficult to follow in the beginning. For one thing, the heavy Australian accent of narrator, Rebecca Macauley took some time to get used to. Also, while Macauley did a fair job of giving an individual voice to the female characters, her male voices tended to speak in the same flat monotone that, while a minor annoyance, made it hard to tell who was speaking. Before realizing that the transition from Taylor’s story to Hannah’s manuscript was cued by music, the story was difficult to follow and initially several tracks had to be replayed. After becoming accustomed to the Australian accent and the musical cues, the story was much easier to follow and well worth getting past the initial inconveniences.

REVIEW EXCERPT(S)

BOOKLIST: “…when Marchetta isn’t forcing epiphanies, she has a knack for nuanced characterizations and punchy dialogue. The complexity of the backstory will be offputting to younger readers, but those who stick it out will find rewards in the heartbreaking twists of Marchetta’s saga.”

HORN BOOK: “Suspenseful plotting, slowly unraveling mysteries, and generations of romance shape the absorbing novel.”

KIRKUS REVIEW: “Marchetta plows into a complicated story line head first, shifting between Hannah's narrative and Taylor's trials as Jellicoe School's war commander. Time flashes forward and back, histories bleed together and two generations of friends bear uncanny resemblances to one another. Readers may feel dizzied and disoriented, but as they puzzle out exactly how Hannah's narrative connects with Taylor's current reality, they will find themselves ensnared in the story's fascinating, intricate structure. A beautifully rendered mystery.”

CONNECTIONS

Other books by Melina Marchetta:
Marchetta, Melina. SAVING FRANCESCA. ISBN 0375929827.
Marchetta, Melina. LOOKING FOR ALIBRANDI. ISBN 0375836942.
Marchetta, Melina. FINNIKIN OF THE ROCK. ISBN 0670072818.

Other Michael L. Printz Award winners:
Green, John. LOOKING FOR ALASKA. ISBN 0525475060.
Yang, Gene Luen. AMERICAN BORN CHINESE. ISBN 1596433736.
McCaughrean, Geraldine. THE WHITE DARKNESS. ISBN 0060890363.

THE GRAVEYARD BOOK by Neil Gaiman


BIBLIOGRAPHY

Gaiman, Neil. 2008. THE GRAVEYARD BOOK. Narrated by the author. Audiobook Download. Audible.com. New York: Harper Children’s. ISBN 0061707392

PLOT SUMMARY

While his family is being murdered by the man Jack, a young toddler escapes from his crib and makes his way outside through the open door. Finding his way to the graveyard up the hill, the boy is taken in by the ghosts of the graveyard inhabitants and protected from those who intend him harm. Adopted by Mr. and Mrs. Owens and given the name Nobody, Bod for short, the child is given the Freedom of the Graveyard.

The dark and mysterious Silas, another inhabitant with the Freedom of the Graveyard assumes the role of Bod’s protector and provider since he can leave the graveyard, while the other spirits cannot. As Bod grows up learning his ABC’s on the headstone inscriptions, he also learns more about the circumstances of his family’s death. The older he gets, the harder he is to protect until one day the Jacks who want him dead find him in the graveyard. With his protector away, Bod must use all the graveyard skills he has to outwit them.

CRITICAL ANALYSIS

While at times this fantasy novel might be somewhat scary for younger children, all young readers will wish at some point that they could live in a graveyard too. Gaiman paints a vivid picture of the graveyard and its inhabitants – who are introduced by the inscription on their headstone. Middle school children and young adults can relate to Bod’s experiences of leaving the safety of home, attending school, encountering bullies, and learning the life-lessons that all adults are not worthy of trust and at some point you have to make your own way in the world. While explaining to Silas his desire to attend school outside of the graveyard Bod observes,

“I’ve learned a lot in this graveyard,” said Bod. “I can Fade and I can Haunt. I can open a ghoul-gate and I know the constellations. But there’s a world out there, with the sea in it, and islands, and shipwrecks and pigs. I mean, it’s filled with things I don’t know. And the teachers here have taught me lots of things, but I need more. If I’m going to survive out there, one day.

It is not hard to see why this book was named as the 2009 Newbery Medal winner. Gaiman has crafted a book that while dark with the themes of murder, ghosts, ghouls, and treachery also manages to be uplifting with the themes of love, friendship, family, and good triumphing over evil.

The unabridged MP3 format of this audiobook is 7 hours and 44 minutes long, and each minute spent listening to Neil Gaiman narrate his book is well spent. Considering Gaiman’s writing style and the heavy reliance on dialogue to carry the story, there is probably no one better than the author to perform the narration. Gaiman gives his characters the individual voice and character that he envisioned in his writing.

REVIEW EXCERPT(S)

HORN BOOK: “After fortuitously escaping the murder of his family, a toddler is taken in by the ghostly denizens of a local graveyard. Growing up in this strange setting entails many adventures, leading to a final showdown with the murderer. Occasional art enhances the otherworldly atmosphere with a flowing line and deep grays and blacks. This ghost-story-cum-coming-of-age novel is both bittersweet and action-filled.”

KIRKUS REVIEW: “Childhood fears take solid shape in the nursery-rhyme-inspired villains, while heroism is its own, often bitter, reward. Closer in tone to American Gods than to Coraline, but permeated with Bod's innocence, this needs to be read by anyone who is or has ever been a child.”

LIBRARY JOURNAL: “Why It Is a Best: An elegant combination of Gaiman's masterly storytelling and McKean's lovely drawings, this book also works as a series of independent but connected short stories set two years apart, following Bod from age two to 16. Why It Is for Us: In interviews, Gaiman has said that this book took him years to write, and it was worth the wait. Imagine Kipling's The Jungle Book set among a forest of graves.”

CONNECTIONS

Have students compare and contrast Gaiman’s THE GRAVEYARD BOOK to Rudyard Kipling’s THE JUNGLE BOOK.

Other books by Neil Gaiman:
Gaiman, Neil. CORALINE. ISBN 0060825448.
Gaiman, Neil. INTERWORLD. ISBN 0061238961.
Gaiman, Neil. M IS FOR MAGIC. ISBN 0061186422.

Other Newbery Award winners:
Avi. CRISPIN: THE CROSS OF LEAD. ISBN 0786816589.
Perkins, Lynne Rae. CRISS CROSS. ISBN 0060092734.
Schlitz, Laura Amy. GOOD MASTERS! SWEET LADIES! : VOICES FROM A MEDIEVAL VILLAGE. ISBN 0763643327.

DIARY OF A WIMPY KID by Jeff Kinney


BIBLIOGRAPHY

Kinney, Jeff. 2007. DIARY OF A WIMPY KID. New York: Amulet Books. ISBN 0810994550.

PLOT SUMMARY

Greg Heffley chronicles his first year of middle school in a journal, “not a diary,” where each entry is accompanied by a cartoon sketch. Wanting to be popular and a hit with the girls, Greg’s social ineptness holds him back from achieving his dream of popularity. Greg suffers many trials in his first year, such as getting kicked off the Safety Patrol or losing out as Class Clown, but he takes comfort in knowing that at least he is not the guy who “ate the _ _ _ _ _ _.”

CRITICAL ANALYSIS

Middle school students will have no problem identifying with wimpy kid, Greg Heffley. Students will be able to relate to Greg’s wish to be popular, but feeling like it is something that can’t quite be achieved. As for Greg's take on popularity, “Nowadays, it’s a whole lot more complicated. Now it’s about the kind of clothes you wear or how rich you are or if you have a cute butt or whatever.”

Author Jeff Kinney’s childlike cartoons and writing style are consistent with a journal that might be kept by an adolescent boy. The language and thought processes are also typical for a middle school student, such as when Greg writes in his journal, “Let me tell you, it’s not easy writing thank-you notes for stuff you didn’t want in the first place.” Kinney’s illustrations also provide supplementary details and context for the story line.

This is a book that all tweens will enjoy and struggling readers especially can connect with. Short, large print sentences connected by graphic illustrations will keep tweens turning the pages to find out the next unfortunate event that befalls Greg as he tries to make it through each day.

REVIEW EXCERPT(S

KIRKUS REVIEW: “Presented in a mix of legible "hand-lettered" text and lots of simple cartoon illustrations with the punch lines often in dialogue balloons, Greg's escapades, unwavering self-interest and sardonic commentary are a hoot and a half--certain to elicit both gales of giggles and winces of sympathy (not to mention recognition) from young readers.”

PUBLISHER’S WEEKLY: “Kinney ably skewers familiar aspects of junior high life, from dealing with the mysteries of what makes someone popular to the trauma of a ‘wrestling unit’ in gym class. His print debut should keep readers in stitches, eagerly anticipating Greg's further adventures.”

SCHOOL LIBRARY JOURNAL: “Kinney's background as a cartoonist is apparent in this hybrid book that falls somewhere between traditional prose and graphic novel. It offers some of the same adventures as the Web book, but there are enough new subplots to entertain Funbrain followers. This version is more pared down, and the pace moves quickly. The first of three installments, it is an excellent choice for reluctant readers, but more experienced readers will also find much to enjoy and relate to in one seventh grader's view of the everyday trials and tribulations of middle school.”

CONNECTIONS

Students could be encouraged to keep their own journal for a semester or the school year.

Other books in the DIARY OF A WIMPY KID series:
Kinney, Jeff. DIARY OF A WIMPY KID: RODRICK RULES. ISBN 0810994739
Kinney, Jeff. DIARY OF A WIMPY KID: THE LAST STRAW. ISBN 0810970686

Other books about surviving middle school:
Holm, Jennifer L. MIDDLE SCHOOL IS WORSE THAN MEATLOAF : A YEAR TOLD THROUGH STUFF. ISBN 0689852819
O'Dell, Kathleen. AGNES PARKER-- KEEPING COOL IN MIDDLE SCHOOL. ISBN 0803730780.
Moss, Marissa. AMELIA’S MIDDLE SCHOOL SURVIVAL GUIDE. ISBN 1416979875